Archive for September, 2009
September 30th, 2009 Branding, Knowledge

When it comes to brand identity, even some of the biggest companies fall flat. Case in point, Coca-Cola’s mid-eighties snafu, New Coke. If you aren’t old enough to remember that strange time, allow me to give a bit of a recap: we had a former b-list actor (featured in several 50s-era spaghetti westerns) as our president, fashion highlights included Jams, parachute pants, Ocean Pacific t-shirts, and lots of acid-washed, paint-splattered clothing, Dippity-Do hair gel was a staple for both men and women, every popular song was required, by law, to have a synthesizer and/or drum machine (see Flock of Seagulls, Tears For Fears, Berlin, the Eurhythmics, et al), hip-hop was still fun and “safe” and the spot for the coolest television show on air was a toss-up between Miami Vice and Knight Rider (yes, Hasselhoff was a god). It was a strange time, indeed. So strange, in fact, that the hands-down, number-one soft drink company in the world decided to abandon its original formula and its long-standing, globally-recognized brand to introduce a new keystone product with a “computer generated” talking head as its spokesperson. It was truly a branding disaster.

Coca-Cola’s biggest mistake was its failure to commit to its brand identity. It’s strange to think that a company with such a recognizable brand would ever fall into such a trap, but the reality is that most companies, at some point or another, struggle with embracing their brand identity. Why? Well, it’s simple: markets change, people get nervous, triggers get pulled. In the case of Coca-Cola, though it was on top in the world of soft drinks, it was being threatened by relatively-new-kid-on-the-block Pepsi Cola. Coke was struggling to compete with Pepsi’s newer, hipper branding strategy. There was a real need for adjustment. However, adjusting to a market and completely abandoning one’s brand identity are two entirely different beasts (and the former will almost always explode into an ugly mess). What Coca-Cola should have done (ah, hindsight) was to embrace its brand identity and innovate it, building on its existing strengths (namely, its position as one of the most recognized brands on the planet!) and invigorating its standing in the marketplace.

Embracing brand identity is key for success in any business. And no matter if you are refreshing an existing design or starting from scratch, whether you are a one-person show or have 100 employees, embracing brand identity cannot be a fickle act. The brand is as much a part of a business as the products that business sells. It may seem that branding is the easy part of running a successful company, but, as our friends at Coke taught us in the 80s, many businesses struggle with brand identity everyday. In terms of brand development, it becomes even harder. Brand development is oftentimes a tug-of-war between designers and company owners and executives over the myriad of details that go into the process. The smarter execs recognize their limitations and allow designers to do what they are trained to do. The greatest failures in marketing history happen when the opposite occurs.

What makes branding so hard for some business owners? Well, that’s really a question about trust. It’s the trust involved with turning over, what could be, their biggest investment to another individual to develop. It’s like handing over the keys to your house to a new acquaintance and saying, “Okay, make it pretty.” Granted, the branding process isn’t a blind endeavor; yet, no matter how much information a client gives to a designer or how involved he or she may be in the process, it can be truly hard to “let go” and trust the designer’s decisions.

But, trust is exactly what every business owner should do. If you’ve taken the time to research and find the right designer for you, entered into a contract with that designer, invested the time and energy in providing information to that designer and given the “okay” on the designer’s choices, then you should embrace those decisions and trust to the designer’s expertise in regard to your brand and all the design elements that accompany it. In other words, embrace your brand identity.

In a recent ezine article, “Embracing Your Brand,” Charen Smith notes that branding goes beyond marketing materials, but should be a part of every aspect of one’s business – that it needs to be a part of every aspect of the business. Smith writes:

To spread your brand you need to ensure that everything your company does is linked with that brand name. You need to get custom printing done to have letterheads on everything you send out. If someone gets something from anyone in your company you should be sure they’re going to see your brand name in a prominent position.

Smith makes an important point. Having a smart logo and a clean, sleek website aren’t enough when it comes to embracing your brand identity. Everything from the tag line to stationery to business cards needs to incorporate the brand on some level. Even seemingly banal things, such as the language of your website, need to incorporate this philosophy. For instance, if your brand is something fun and whimsical, then the language of your site should also be fun and whimsical. If your business is sleek and stylish, then, again, the language on your website – everything from your personnel bios to your blog – should be a reflection of that sleek and stylish element of your brand. This principle extends to every aspect of one’s business self or personae. It should appear in your personal style, the design of your work space, your letterhead and even, perhaps, your choices of where you hold business lunches. The more a business can incorporate the brand into the day-to-day, the more that brand becomes recognizable to clients and potential clients.

In another aspect of the process, you must EMBRACE YOUR NAME. It’s amazing how simple this concept appears on the surface, yet how difficult it becomes for a company to follow through. If your new brand identity is named “Surfing Unicorn” and indeed employs a unicorn on a Santa Cruz surfboard, cresting a “bitchin” wave, then you need to embrace that name to the fullest. Surfing Unicorn, LLC doesn’t need to have a bird as its logo. Nor does it need to be a simple, script logo. If you’ve signed off on “Surfing Unicorn” then, by golly, there needs to be a unicorn! (unless you’re going for irony, in which case there needs to be an ogre or, at the least, some play on  the idea of a surfing unicorn like one of those narwhal thingies that Norwegian fishermen thought that was a sea unicorn) Furthermore, every other aspect of your branding needs to be, in one way or another, an extension of that name. Surfing Unicorn, LLC needs to be communicated in everything from the tag line to the website to the stationery.

Once again, this all comes down to trust (though, if a design firm throws “Surfing Unicorn” your way, you can trust that somebody is either A) using illicit substances, B) out to destroy your business, or C) carries a Trapper Keeper … possibly with unicorns and kittens on it). When working with a design firm, trust to the fact that everyone involved in the development of your brand are individuals who are A) highly experienced in what they do, B) just as invested in the success of your company as you are and C) have a broader perspective of branding principles than you do. That’s why you hired them. These designers, illustrators, and copywriters are branding junkies ;) . They live for this stuff. And what’s wonderful for the client is that they are applying all of that knowledge to create a look and feel for your business that is entirely unique to that business and are ensuring that your brand is something that clients will recognize as a relevant, quality and necessary part of their lives. Trust your designers. Trust your identity.

Tyrie Smith is the copywriter and editor for Luxecetera. He has worked in journalism, public relations and marketing for 10 years, none of which took place in the 80s (and that is really sad, because he like totally missed out on some bitchin’ professional fashion trends and like, ya know, could have totally been one of those gnarly marketing dudes with a Delorean and a rad Don Johnson sport coat).



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September 28th, 2009 Studio News

Hello lovely clients! First – We cannot tell you how thankful we have been for such an incredible year thus far. We would all like to thank you for your love, patience and support. We would not be growing this quickly if it weren’t for you! Now… onto a few studio updates and schedules.

1. We are COMPLETELY booked for 2009. There ain’t no squeezing left.

2. We are booking currently for March 2010. Yup – that’s right January and February are pretty solid too. Crazy – right!? BUT – we are growing our little team and things could pick up and move a bit faster in twenty-ten.

3. While we are natural workaholics and we work very hard throughout the year… but… we are like most of you… we have friends and families too and we would like to spend some quality time with them this year. So… we will be taking off for the upcoming holidays.  The LUXC offices will be closed. We will not guarantee that emails or phone calls will be returned during those times. Please see the dates below for closings.

CLOSED November 24th – November 30th 
CLOSED December 17th – January 3rd

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September 28th, 2009 Branding

The start of a new project is always an exciting endeavor at Luxecetera. More intriguing, are those projects that also present new challenges. Cass Comerford presented just such a challenge when she came to us looking for a branding makeover for her “photography/blog/internet marketing/personl” business/website. Yeah, say that three times fast … while patting your head and rubbing your tummy. As Cass put it, “my business is me.” Her site is truly an ethnographic study of seemingly infinite depth. It is all at once introspective, analytical, exploratory and artistic. Cass’ site, Cass Just Curious, is a platform for her budding photography business, a philosophic outlet for her observations on motherhood, photography, professionalism and everyday life, and a running epistle to her daughter, 1-year-old Lexi. This was a very unique project for us, to say the least. From a design perspective, Cass was looking for something clean and simple – something honest, “what you see is what you get. But not sterile or too rigid.” Her tendency toward self-exploration led her to a design concept that really was what she needed. We won’t say that it was “easy,” but her wants fit her needs. The resulting branding concepts are driven by Cass’ own personality and philosophy. A clean, classic script-based logo, a design element taken from a work of stained glass from Cass’ home and a feminine color pallet suggested by Cass herself, all came together perfectly to represent Cass Just Curious. Just as Cass has made it her mission to illuminate her life and the life she observes, we worked hard to create a design that illuminated Cass’ vision for her business – brought her ideas to light. Welcome to Cass Just Curious: Life, Illuminated.

Projects Include: Branding, logo, tagline creation, watermarks, business card, notecards, custom Dream Album cover, custom blogsite and HTML newsletter.

Cass Just Curious Photography Logo

Cass Just Curious Brand Watermark

Cass Just Curious Business Card Design

Cass Just Curious Notecard

Cass Just Curious Tagline Creation

Cass Just Curious Custom Branded Dream Album Cover

Cass Just Curious Custom Blogsite

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September 27th, 2009 Amusement

If you make a living using your creativity, you should purchase this poster (from Frank Chimero) and hang it over your work station. Go now. :)

creativeprofession


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September 23rd, 2009 Branding, Knowledge, Marketing

Have you ever met someone and thought, “he’s not a “Robert – a “Doug” or even a “Brad,” but not a Robert.” It’s an interesting study in human nature in how we assign certain characteristics physically or personality-wise to something seemingly subjective as a name. This phenomenon is based, somewhat, in the concepts “semiotics” and “metonymy,” but I’ll leave the linguistics lesson for the classroom. The main point is that we assign “things” certain names and when those names don’t match up with our preconceptions about “thing” and “name,” a little bell goes off in our heads (however, if you are hearing bells all the time, you should really get that checked out). There is perhaps nowhere else this phenomenon is clearer than in branding.

As branding consultants will tell you, the strength of a brand lies in the name and how well it communicates all the unsaid aspects of a business mission, product, philosophy, etc. in a single word or phrase. However, the name is only a piece of the overall branding puzzle. The real magic happens when a business embraces the name to its fullest potential, incorporating all of those unspoken nuances into a branding mission. It really is all about naming your brand and embracing your name. Though, it’s easier to see how this works if we can look at the process of naming in practice. For that, I want to turn to a recent client and her personal journey towards creating a new identity for her photography business and how that journey led to a lesson, though indirect, about semiotics.

Allison Parker came to Luxecetera looking for a new way to brand her photography business, Phreckle Nose Photography. Like a lot of our clients, she was happy with her name, but wanted something more from her brand – something that better communicated her business’ mission and her philosophy on photography. Furthermore, Allison was looking for a brand that could carry her business forward.

Initially, we looked at Allison’s business name, “Phreckle Nose,” and her business’ focus, primarily children’s photography, and immediately honed in on the fun, whimsical, kid-centeric aspect of the company. It seemed to be an easy fit. However, as we talked to Allison, we could see that her vision, as she saw it, was something not exactly relatable to the name Phreckle Nose.

Phreckle Nose Photography Initial Branding Concepts

Over the next few weeks of consult time, we, along with Allison, struggled with how to keep the name (a name that Allison and her husband developed together), but communicate her particular business perspective. In my interview with Allison, I gave her my theory on changing a name once a business was already established – that if you have a good reputation and are well-known under one moniker, changing midstream runs the risk of affecting relationships with established clients. To a fault, I stretched the boundaries of what we could accomplish with Phreckle Nose and tried to fit a square peg in a round hole. Going over the conversation with Ashley, I started to realize the problem with my advice – that Allison’s vision for her company had outgrown her old name (and, thusly, her old brand).

It wasn’t even my company and I was having trouble with altering the name. Yet, the fact remained; Allison’s revised vision of a company that communicated a refined but playful, vintage, classic product no longer fit with her name. Additionally, Allison had dreams of broadening her scope as a photographer. It wasn’t something she was looking to do immediately, but she wanted the option to photograph more seniors, couples, brides and families in the future. Again, this was a vision not relatable to the semiotics of Phreckle Nose. Our sketches of fairytale frog princes and cartoon-ish blue birds wouldn’t fly (had to get one pun in).

It took Allison some time to get used to the idea too. “It’s so obvious now,” Allison says about her new name and brand. “I didn’t get it until I saw the design concepts. Now, I am so happy.” What Allsion saw in those concepts was the branding manifestation of semiotics. The new name, Feather Nest, is built out of the phrase “feather your nest,” which was a tagline Allison had used for Phreckle Nose. Her perspective on photography is to bring art – the art of moments – into her clients’ homes. To that end, “Feather Nest” works metonymically to represent this idea. Breaking the name down into its parts, “feather” and “nest” we uncover even deeper meaning from the images these words/symbols evoke. In this instance, ambiguity is intentional and important because we want the client to imagine several images and emotions associated with these terms. Too much detail, like Eagle’s Feather Sweetgrass Nest, would be restrictive. As it is, clients may imagine the softness of feathers, downy feathers, beautiful feathers (like those of a peacock), while nest may evoke ideas like homeplace, coziness, and something thoughtfully put together.

Feather Nest Photography Final Logo and Secondary Illustrations

And though clear to her now, Allison still remembers why she was initially hesitant, “I just saw it [Phreckle Nose] as something else. I was blinded by love, I guess. It’s like renaming your kid – you know, just waking up one day and having namer’s remorse and calling your child something different. I just didn’t see it.” A big part of her “seeing it” was the time she had to think about her brand during the process. “I am really grateful for the time it took to put this all together. It really forces you think about the business – what we are, where we are going. I got more than just a new brand and a new name, I got a new business plan. I needed that time really see what I wanted and what I needed.” Ultimately, what Allison came to see was that she needed a name that she could fully embrace. If she stuck with the Phreckle Nose brand, she had to embrace what that name represented – its semiotics and metonymy. If she wasn’t able to do that, then she had to accept that her inability to do so said something about her business; what it was and where it was going. That, in turn, translated to the fact that she had to find a name she could embrace – fully and without question.

To borrow a cliché, “what’s in a name?” Well, as you can see, there’s a great deal. Names carry weight. They overflow with ideas and represent different things to different people. In branding, the ability of any business to “embrace the name” lies in understanding what that name communicates about the business. It’s an all or none dynamic. When you look at your company name, ask yourself, “can I embrace these words and the images they evoke as representative of my company and its mission?” If your answer is not a firm “yes,” then it’s time for a change. The ability to embrace your name trumps any history or attachment you may feel towards that moniker. If you can’t embrace your name, then the name is not fulfilling its purpose. It’s not an easy path to walk, however, as Allison says, “it takes time, but it is definitely worth it.”

Tyrie Smith is the copywriter and editor for Luxecetera. He has worked in journalism, public relations and marketing for 10 years and spends his downtime thinking of better names for well-established companies … if only they would listen.

Keep an eye out for a Allison’s brand feature on the blog very soon… it will include some YUMMY letterpress business cards!

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September 16th, 2009 Our Team, Studio News

In case you haven’t noticed, things in LUXC-land have gotten a bit, well, crazy. Those of you keeping up with the blog will already know that we are booked through February March 2010. It’s hard to believe that we launched less than a year ago, but here we are, five months in, riding the business equivalent of the French Bullet Train. How do we keep it all together, you ask? Well, we’ll tell you … as soon as we figure it out. The reality is that our little company is growing faster than any of us anticipated and so we’ve decided to bring in some help. Last month we added our copywriter, Tyrie, to the team. This month, we’re bringing in some organizational muscle. Her name is Katie Troxel and she is our new Communications Coordinator or, as we like to call her, Chief Sanity Officer. And while Katie is taking on much of our communicative needs, Eva, Ashley and Lisa will still be available to talk – we’re not letting them off that easily!

Katie’s job is simple (hahahahahaha!). She is in charge of preserving the ever-important relationships with our clients – past, present and future. Katie will now be handling all waiting list questions, product inquiries, customer service issues and three alarm fires (which is why she gets a nifty set of flame-retardant coveralls and a sweet oxygen mask). On top of that, she will be managing the waiting list and generally keeping order in our LUXC offices. So, those of you who are already clients, and those who are thinking of becoming clients, rest easy in knowing that you are in very capable hands.

Katie is a fiery redhead from Atlanta. No, that’s not quite right … hmm. Katie is an Atlanta native, mother of two wonderful children, a former financing officer and a rabid UGA football fan … no, that doesn’t really quite capture her either. Okay, okay … ummm. Oh! Got it! Katie Troxel is, like, the coolest woman ever. No, really. She has this really incredible personality that just puts you at ease. She’s very controlled and calm, which has a lot to do with why we hired her (she’s a dedicated practitioner of Bikram Yoga  – yes, that’s the one where people meditate inside an oven). The organizational skills she acquired during her tenure in the banking industry, coupled with her feats as a wonderful mother of two great kids, makes her the ideal person to keep the LUXC ship sailing smoothly (or, at the interest of maintaining the metaphor, the LUXC Bullet Train running tip-top). And, like all of the LUXC team, Katie is a creative thinker, which makes us just that much stronger. So, be sure to welcome Katie to the team – she is, after all, keeping us all sane.

Meet Katie and her gorgeous family!

Katie and Family

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September 16th, 2009 Studio News

Our site might look a little weird this week. The smart programming guys are working on a few things. Bear with us as they iron out a few kinks. Please let us know if something looks off or doesn’t function properly. Thanks!!

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September 14th, 2009 Studio News, Templates

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Seriously Simple Album Spreads III $80.00

• 50 template spreads, sized 9×9
• actions for resizing templates to fit a variety of album sizes (6×6, 7×7, 8×8, 10×10, 12×12, and more!!!)

• All 3 versions were designed to mix and match for use with almost any album size you wish. YOU CAN USE THESE WITH ALMOST ANY ALBUM OUT THERE!

Images in samples courtesy of Andrea Casey Photography

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