Posts Tagged ‘branding articles’
September 30th, 2009 Branding, Knowledge

When it comes to brand identity, even some of the biggest companies fall flat. Case in point, Coca-Cola’s mid-eighties snafu, New Coke. If you aren’t old enough to remember that strange time, allow me to give a bit of a recap: we had a former b-list actor (featured in several 50s-era spaghetti westerns) as our president, fashion highlights included Jams, parachute pants, Ocean Pacific t-shirts, and lots of acid-washed, paint-splattered clothing, Dippity-Do hair gel was a staple for both men and women, every popular song was required, by law, to have a synthesizer and/or drum machine (see Flock of Seagulls, Tears For Fears, Berlin, the Eurhythmics, et al), hip-hop was still fun and “safe” and the spot for the coolest television show on air was a toss-up between Miami Vice and Knight Rider (yes, Hasselhoff was a god). It was a strange time, indeed. So strange, in fact, that the hands-down, number-one soft drink company in the world decided to abandon its original formula and its long-standing, globally-recognized brand to introduce a new keystone product with a “computer generated” talking head as its spokesperson. It was truly a branding disaster.

Coca-Cola’s biggest mistake was its failure to commit to its brand identity. It’s strange to think that a company with such a recognizable brand would ever fall into such a trap, but the reality is that most companies, at some point or another, struggle with embracing their brand identity. Why? Well, it’s simple: markets change, people get nervous, triggers get pulled. In the case of Coca-Cola, though it was on top in the world of soft drinks, it was being threatened by relatively-new-kid-on-the-block Pepsi Cola. Coke was struggling to compete with Pepsi’s newer, hipper branding strategy. There was a real need for adjustment. However, adjusting to a market and completely abandoning one’s brand identity are two entirely different beasts (and the former will almost always explode into an ugly mess). What Coca-Cola should have done (ah, hindsight) was to embrace its brand identity and innovate it, building on its existing strengths (namely, its position as one of the most recognized brands on the planet!) and invigorating its standing in the marketplace.

Embracing brand identity is key for success in any business. And no matter if you are refreshing an existing design or starting from scratch, whether you are a one-person show or have 100 employees, embracing brand identity cannot be a fickle act. The brand is as much a part of a business as the products that business sells. It may seem that branding is the easy part of running a successful company, but, as our friends at Coke taught us in the 80s, many businesses struggle with brand identity everyday. In terms of brand development, it becomes even harder. Brand development is oftentimes a tug-of-war between designers and company owners and executives over the myriad of details that go into the process. The smarter execs recognize their limitations and allow designers to do what they are trained to do. The greatest failures in marketing history happen when the opposite occurs.

What makes branding so hard for some business owners? Well, that’s really a question about trust. It’s the trust involved with turning over, what could be, their biggest investment to another individual to develop. It’s like handing over the keys to your house to a new acquaintance and saying, “Okay, make it pretty.” Granted, the branding process isn’t a blind endeavor; yet, no matter how much information a client gives to a designer or how involved he or she may be in the process, it can be truly hard to “let go” and trust the designer’s decisions.

But, trust is exactly what every business owner should do. If you’ve taken the time to research and find the right designer for you, entered into a contract with that designer, invested the time and energy in providing information to that designer and given the “okay” on the designer’s choices, then you should embrace those decisions and trust to the designer’s expertise in regard to your brand and all the design elements that accompany it. In other words, embrace your brand identity.

In a recent ezine article, “Embracing Your Brand,” Charen Smith notes that branding goes beyond marketing materials, but should be a part of every aspect of one’s business – that it needs to be a part of every aspect of the business. Smith writes:

To spread your brand you need to ensure that everything your company does is linked with that brand name. You need to get custom printing done to have letterheads on everything you send out. If someone gets something from anyone in your company you should be sure they’re going to see your brand name in a prominent position.

Smith makes an important point. Having a smart logo and a clean, sleek website aren’t enough when it comes to embracing your brand identity. Everything from the tag line to stationery to business cards needs to incorporate the brand on some level. Even seemingly banal things, such as the language of your website, need to incorporate this philosophy. For instance, if your brand is something fun and whimsical, then the language of your site should also be fun and whimsical. If your business is sleek and stylish, then, again, the language on your website – everything from your personnel bios to your blog – should be a reflection of that sleek and stylish element of your brand. This principle extends to every aspect of one’s business self or personae. It should appear in your personal style, the design of your work space, your letterhead and even, perhaps, your choices of where you hold business lunches. The more a business can incorporate the brand into the day-to-day, the more that brand becomes recognizable to clients and potential clients.

In another aspect of the process, you must EMBRACE YOUR NAME. It’s amazing how simple this concept appears on the surface, yet how difficult it becomes for a company to follow through. If your new brand identity is named “Surfing Unicorn” and indeed employs a unicorn on a Santa Cruz surfboard, cresting a “bitchin” wave, then you need to embrace that name to the fullest. Surfing Unicorn, LLC doesn’t need to have a bird as its logo. Nor does it need to be a simple, script logo. If you’ve signed off on “Surfing Unicorn” then, by golly, there needs to be a unicorn! (unless you’re going for irony, in which case there needs to be an ogre or, at the least, some play on  the idea of a surfing unicorn like one of those narwhal thingies that Norwegian fishermen thought that was a sea unicorn) Furthermore, every other aspect of your branding needs to be, in one way or another, an extension of that name. Surfing Unicorn, LLC needs to be communicated in everything from the tag line to the website to the stationery.

Once again, this all comes down to trust (though, if a design firm throws “Surfing Unicorn” your way, you can trust that somebody is either A) using illicit substances, B) out to destroy your business, or C) carries a Trapper Keeper … possibly with unicorns and kittens on it). When working with a design firm, trust to the fact that everyone involved in the development of your brand are individuals who are A) highly experienced in what they do, B) just as invested in the success of your company as you are and C) have a broader perspective of branding principles than you do. That’s why you hired them. These designers, illustrators, and copywriters are branding junkies ;) . They live for this stuff. And what’s wonderful for the client is that they are applying all of that knowledge to create a look and feel for your business that is entirely unique to that business and are ensuring that your brand is something that clients will recognize as a relevant, quality and necessary part of their lives. Trust your designers. Trust your identity.

Tyrie Smith is the copywriter and editor for Luxecetera. He has worked in journalism, public relations and marketing for 10 years, none of which took place in the 80s (and that is really sad, because he like totally missed out on some bitchin’ professional fashion trends and like, ya know, could have totally been one of those gnarly marketing dudes with a Delorean and a rad Don Johnson sport coat).



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August 14th, 2009 Branding, Knowledge, Marketing

My friend Rebbecca Brown is a talented writer, who teaches writing courses at the famed Hunter College in Manhattan. She has an odd-yet-relatable sense of humor and an incredibly unpretentious idea of self that is quite attractive. She is also sensible, which is why, in her first year in the job market, Rebecca traveled to the highest-attended creative writing conference in the US, the AWP, armed with a hefty stack of personalized business cards. These cards WERE her. The content was clever and fun and very much like Rebbecca – so much so that I readily share my anecdote about her “business” card anytime anyone ever mentions business cards. I do so here because it illustrates an important marketing lesson. Business cards DO matter.

Business or “calling” cards, have a long history that dates back over 150 years (and, perhaps, before). They are a prominent part of corporate culture. “Here’s my card,” is not just a cliché – it’s a way of life. Myself, I have a drawer full of the things. They are all over my office and my home, tucked away here and there. The most important ones (including Rebecca’s) get placed in the pocket of one of my trusted Moleskin notebooks. And, yes, I do refer to them again and again to find all kinds of people I need to reach. Some I keep for practical purposes, others because of aesthetic reasons – no matter what the case, they are there and with me and, therefore, so are the people who first handed them to me. And while you may think that a business card is an “added” expense or a luxury, think again. A business card is the next best thing to being right next to a potential client. It allows him or her to take something to remember you by and provides what that person needs to find you again. Furthermore, it’s an expense that pays – perhaps even more so than big-budget marketing like fliers, rack cards, print advertisements, and the like. And, if used correctly, can turn potential clients into free advertisers. No matter if the focus is on an aesthetic element or informational content, a well-developed business card is more important than any other marketing medium you can invest in.

Think of this. Let’s say you are given the option to order 500 business cards at $1.00/card or 1000 at $.75/card. Which do you choose? Your first instinct is to consider price – $500 v/s $750. You recognize the deal you’re getting in the 1000 scenario, but then your logic kicks in and says something like, “hey, logic here, when are WE ever going to meet 1000 people? We don’t need that many cards.” Your logic assumes that you are only handing out one card per person. This is the moment where you should realize that logic hasn’t really been pulling its weight lately and maybe needs to be let go. Of course you don’t hand out one card. If you have someone’s attention and are discussing business and you are connecting on a level beyond, “so what do you do,” you need to leave that person with no less than three of your cards. Why? Because then, when he or she has another conversation with a friend or family member or associate who is also looking for a (insert your business type here), he or she may just feel good enough about you and your business to pass on one of those extra cards to that person. It’s word-of-mouth advertising X 100. Now that person’s friend/family member/associate also has your information AND an unsolicited endorsement from someone they already have a relationship with. It’s a dynamic marketing tool and one that most people don’t take full advantage of.

Remember, your business card is an extension of yourself. It communicates, through its aesthetic elements and its content, who you are, what you do and how you can be reached. In addition, it supplies a potential client with something tangible to remind him or her of your meeting OR reminds someone that a trusted acquaintance endorses your business. So, order more, give out more, get more for your investment.

Oh, what was on Rebbecca’s card? Simply her name, number, email and six check boxes that she marked accordingly, based on her conversations with the other attendees at the conference:

_ thanks, I highly respect your work
_ help … I need a job
_ it was a pleasure to make your acquaintance
_ I am seriously in love with you
_ @&$% off
_ come visit me sometime

memorable, eh?

~Tyrie

Tyrie Smith is the copywriter and editor for Luxecetera. He has worked in journalism, public relations and marketing for 10 years, including a brief stint as a student events coordinator at a small liberal arts college, which, by the by, is where began his obsession with business cards, day-glow t-shirts and free frisbees.

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